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Think and act like a Navy SEAL and you can survive anything. You can live scared—or be prepared.

“We never thought it would happen to us.” From random shootings to deadly wildfires to terrorist attacks, the reality is that modern life is unpredictable and dangerous. Don’t live in fear or rely on luck. Learn the SEAL mindset: Be prepared, feel confident, step up, and know exactly how to survive any life-threatening situation.

Former Navy SEAL and preeminent American survivalist Cade Courtley delivers step-by-step instructions anyone can master in this illustrated, user-friendly guide. You’ll learn to think like a SEAL and how to:

improvise weapons from everyday items * pack a go bag* escape mass-shootings * treat injuries at the scene* subdue a hijacker * survive extreme climates * travel safely abroad* defend against animal attacks * survive pandemic * and much more

Don’t be taken by surprise. Don’t be a target. Fight back, protect yourself, and beat the odds with the essential manual no one in the twenty-first century should be without.

BE A SURVIVOR, NOT A STATISTIC!

• Sales Rank: #98642 in Books
• Published on: 2012-12-04
• Released on: 2012-12-04
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, 1.28 pounds
• Binding: Paperback
• 368 pages

Review
"The narration by R.C. Bray is great, with the right inflections at the right time." ---Library Journal Starred Audio Review

About the Author
Cade Courtley was born in Columbus, Ohio and raised in Boulder, Colorado. He spent most of his young adult life in the outdoors and upon graduation from the University of San Diego he was immediately commissioned as an Officer in the United States Navy and began Navy SEAL training (BUD/S). After several intense tours as a Platoon Commander that had him operating around the world, Cade decided to leave the SEAL teams to pursue other challenges. He was the host of the Spike TV and Discovery Channel show Surviving Disaster and appears as a regular commentator on CNN and Fox News.

Excerpt. © Reprinted by permission. All rights reserved.
SEAL Survival Guide
EXPAND YOUR COMFORT ZONE

You know your current comfort zone, defined as the daily routine you do and the things that make you feel secure, content, and in control. However, most of our daily comfort-zone rituals will leave us unprepared to deal with even the smallest discomfort and will certainly render us incapable of handling an emergency or life-threatening challenge.

Challenge Your Limits and Daily Routines

Push the boundaries of your comfort zone at least once a day. There are so many opportunities to do this without attempting all at once to become an ultra-marathon runner, although this is a great goal. You must first expand your mind to the possibilities of doing certain things that you previously believed unachievable. Start with small steps and note progress by keeping track; make a list, and check off all the things you do each day to challenge yourself, both physically and mentally. Ultimately, by expanding your comfort zone you will increase both your physical and mental toughness, which are the keys to survival.

I believe that if you first focus on changing small things, you can begin the process of thinking differently, and ultimately achieve the goal of acquiring the SEAL mindset of survival, which will allow you to endure anything. You will quickly see that doing things differently makes you think differently. Observe your current routine and then start by doing simple things another way. For example, use the stairs instead of the elevator to take you up only a few floors. Climb at a reasonable pace and know that when you reach the top, you have just expanded your comfort zone. When in your car, don’t fight to get the space closest to the store, but purposely look for one that will make you walk. Force yourself to meet three new people and learn at least five things about them. If you have to balance your checkbook, leave the calculator in the desk and make your brain complete this task. Open up the contact list in your phone and memorize five numbers each day. You must seek out ways to expand both mind and body. Start paying attention to how you think about things. If you expand your comfort zone in this manner, you will be better able to do the rest. If you already exercise or jog, for example, increase your distance or speed. Run that extra mile, or run it a minute faster. Do that one additional push-up. Try holding your breath for a minute, and then try two. When in the shower, after scrubbing down with the warm water you usually prefer, finish the last thirty seconds with a blast of cold water. By pushing your physical limits, you are also forcing your brain to expand its comfort boundaries, thus gradually making yourself physically and mentally tougher.





Now that I am out of the Navy and getting older every day, I continue to push my comfort zone by engaging in activities I did when I was in SEAL team, including skydiving, shooting, climbing, and long swims. Instead of doing these things in preparation for a mission, I do them not only to maintain these very perishable skills, but also to keep my mind and body sharp—I still push the comfort zone and know that this will allow me to be every bit of the warrior I used to be.



Everyone’s comfort zone is different, so for some of us, expanding it means starting with drinking one less beer or forgoing dessert. Yet all of these little daily victories will bring us confidence later, especially when our lives depend on it. It’s so much easier to do nothing, and it seems natural not to bother, but I tell you: These first exercises are essential in changing your mindset and eventually can be the very things that will separate the survivors from the victims.



Here is a visualization I use: I like to imagine that pushing my comfort zone daily is similar to rolling a boulder up a hill. If I let it, the rock will always want to tumble back down, and I’ll have to start from the bottom again. Expanding the comfort zone on a daily basis will actually make it easier to get that boulder closer to the summit—and to our success or ultimate survival.

COMFORT ZONE CHECKLIST (all answers need to be yes):

 Did I challenge myself today?

 Did I do something positive that my mind initially didn’t want to do?

 Did I do something positive that my body initially didn’t want to do?

 Can I do more?

Most helpful customer reviews

48 of 49 people found the following review helpful.
Robert Pelton meets Man vs Wild
By Wulfstan
Dashing ex-Navy Seal Cade Courtley , star of Spike TV's just-launched "Surviving Disaster" show, comes out with his own survival guide. He's the real deal, but there's not much new in the book, if you have read Robert Peltons guides and also Cody Lundin, etc. However, it's still good stuff, and if you don't have one of these real life disaster books, this may be the book for you.

A quote from the author:

"After making it through Seal training and the stuff I did as a Seal, I guess you start to feel like you can make it through anything. When you have that kind of a mindset, there's a certain confidence that goes along with that. The confidence is really helpful when all hell breaks loose," he notes. "We try to teach people, `Yeah, that just happened. Take a breath. Let's get that brain working and we can problem solve our way through this.' It's nothing too advanced where you'd need 20 years experience of hand-to-hand combat."

Entertaining, and perhaps life-saving.

26 of 27 people found the following review helpful.
The Go To Handbook on Survival
By Gary Miller
SEAL Survival Guide: A Navy SEAL's Secrets to Surviving Any Disaster is the Go-To-Guidebook for surviving any disaster. Coutley has an impressive background as a Navy SEAL, and has done a great job at providng the right kinds of information. The book is comprehensive, has easy to understand illustrations, and is full of critical information. Every person in America should read this book to develop the right mindset advantage in any emergency. Knowing what to do in a cris is half the battle. I heartily recommend this book.

25 of 26 people found the following review helpful.
A good read to help you to pay attention
By Mike Whelan
Well written how not to get your self dead book. The author covers many survival subjects and makes some great suggestions. Even if you are not the physical specimen of a Navy Seal there is information that you can and should use. Most of what is offered is common sense which many in our society is lacking in an age that could kill you if you are not paying attention. This book brings focus as to what we should be paying attention to. Can you survive an active shooter in a mall? This book increases you chances in that scenario and many others.

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[G791.Ebook] Download What to Listen for in Music (Signet Classics), by Aaron Copland

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Whether they listen to Mozart or Duke Ellington, Aaron Copland invites readers to ask two basic questions: Are they hearing everything that is going on? Are they really being sensitive to it? With his provocative suggestions, Aaron Copland guides readers through a deeper appreciation of the most rewarding of all art forms.

• Sales Rank: #50173 in Books
• Published on: 2011-02-01
• Released on: 2011-02-01
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x .75" w x 4.25" l, .35 pounds
• Binding: Mass Market Paperback
• 304 pages

From Library Journal
This is a reprint of the enormously popular 1957 edition of Copland's guide to music. There is no new text by Copland, only a new introduction by composer William Schuman, which is more an encomium to the "Dean of American Music." In large measure, the book owes its success to its simple, jargon-free language and engaging style. One wishes, though, that Copland might have added an assessment of the musical scene of the past 30 years. The bibliography has not been updated and is thus virtually useless, with the most recent entry 1955. Nonetheless, the book remains an excellent guide for the novice. Larry Lipkis, Moravian Coll., Bethlehem, Pa.
Copyright 1988 Reed Business Information, Inc.

Review
aOne of the most helpful, sensible, and enjoyable discourses on the subject ever published.a
a"Victor Record Review"
aBy far the best thing of its kind yet to appear.a
a"Modern Music"

?One of the most helpful, sensible, and enjoyable discourses on the subject ever published.?
?"Victor Record Review"

?By far the best thing of its kind yet to appear.?
?"Modern Music"

About the Author
Aaron Copland’s well-known and highly regarded compositions, performed and recorded extensively throughout the world, include the Pulitzer Prize–winning ballet Appalachian Spring, as well as Billy the Kid, Rodeo, Lincoln Portrait, and the film scores of Our Town and The Heiress. On being awarded a Congressional Gold Medal in 1986, Copland was praised for his “uniquely American music that reflects the very soul and experience of our people.” During his career, Copland taught composition at Harvard and the Berkshire Music Center, lectured all over the United States, and wrote Our New Music and Music and Imagination. He died in 1990.

Most helpful customer reviews

81 of 83 people found the following review helpful.
HIGHLY RECOMMENDED!!!
By JR Pinto
THIS IS A BOOK FOR PEOPLE AT ALL LEVELS - LAYMAN, COMPOSER, OR ADVANCED MUSIC LOVER. "Why should one have to learn or need guidance on how to listen to what one is hearing?" is the question that William Schuman asks in his Preface. "The answer is simple. Listening to music is a skill that is acquired through experience and learning. Knowledge enhances enjoyment."
What makes What to Listen for in Music so invaluable is that it is the ONLY book on musical appreciation written by a GREAT COMPOSER. "This is a composer's book," Aaron Copland states. "Given the chance, every composer would like to know two very important things about anyone who takes himself seriously as a music lover...1. Are you hearing everything that is going on? [and] 2. Are you really being sensitive to it?"
The only shortcoming of this book is that it should be taken as part of a class to make sure that one gets everything out of it. It would be great if it came with a CD of all the examples to which Copland makes reference. However, each chapter does end with a list of "recommended listening." To make specific points, Copland does include sheet music (but I didn't read this book sitting next to my piano). However, these problems are minimal, considering we live in an age of the cheap CDs and music downloads.
Copland covers EVERY aspect of music, starting with "how we listen," - on the sensuous plane, the expressive plane, and the sheerly musical plane. He then goes on to explain to us the Four Elements of Music - Melody, Rhythm, Harmony, and Tone Color. We find out about all the musical instruments, their history and classifications. We find out about all the genres in music - Sectional Form, Variation Form, Fugal Form, Sonata Form, Free Form. Did you know that Sonata Form includes symphonies as well? And that symphonies grew out of operatic overtures?
This is a book that bears re-reading. A lot of technical jargon gets bandied about and, although Copland does his best to explain it all, it still gets a tad confusing. I advise reading this book, listening to a LOT of music, and then reading it again. I know my own knowledge and appreciation of music has grown from reading it. Now I DO have an idea of the nuances I should be listening for in a Mozart piano concerto.

36 of 37 people found the following review helpful.
Attention Music Lovers!
By L A Spillane-Larke
Anybody who has any interest in music owes it to themselves to read this book. In this definitive guide to musical enjoyment, Aaron Copeland takes a look at how to listen to music intelligently. Two questions are addressed in this interesting, in-depth study: Are you hearing everything that is going on? Are you really being sensitive to it?
It doesn't matter what kind of music you enjoy, everyone can get something out of this book. Though relating more closely to classical music, Aaron Copeland's ideas for listening to music will give the reader a better appreciation and understanding of whatever music they listen to.
From reading this book you will gain insight into the creative process of a composer. In laymen's terms, the book describes the way composers write music as well as how they actually listen to it. It explains that there are three separate planes upon which music is listened to. They are the sensuous plane, the expressive plane, and the sheerly musical plane. Copeland goes on to tell how music is heard on each plane and explains how each works, which I found very interesting.
Overall, Aaron Copeland's What To Listen For In Music is a good book that I recommend to anyone who has an interest in music or enjoys listening to it. A whole new level of listening ability can be gained from reading this book. It explains music from the composer's point of view, giving you insight into how music is composed, and how to listen to it, which gives you a deeper appreciation of music.

37 of 40 people found the following review helpful.
Everything you always wanted to know about music . . .
By Daniel Davis
. . . for the listener who enjoys and wants to deepen her understanding of orchestral music.
Aaron Copland built much of his career on writing modern "classical" music that could be enjoyed and appreciated by the common listener. He felt that modern music should communicate to the non-musician, as well as the more experienced one. He knew that if the listener understood what made up the basics of musical composition and structure, that the experience of listening would be tremendously enhanced. This book is in the spirit of that goal, and like his most accessible music, Copland achieves this with a brilliant, conversational eloquence that is neither pandering nor pretentious. I found this book to live up to its title, "What to listen for in music." Copland takes the reader on a step by step journey of what components make up a piece of music; from the different type of composers, through the creative process and the individual elements that support the musical architecture. These elements include rhythm, melody, harmony and tone/texture. Once these are clear, he then is able to talk about a musical work as a whole, which includes its structure the different forms that it takes (eg. sonata form, synphony, opera, etc.) One does not need a musical backround to understand and enjoy this book, and yet the seasoned musician will also find a refreshing review of the basics of music. Copland loved music and this is always obvious in his joyful presentation. All one need to have to benefit from this book is a curiosity of music and its mysterious ability to move mountains.

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[L472.Ebook] Download PDF Automotive Paint Handbook: Paint Technology for Auto Enthusiasts and Body Shop Professionals, by John Pfanstiehl

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The Automotive Paint Handbook is a comprehensive resource that covers the entire field of automotive paint technology, from types of paint and how to perform a complete paint job, to advanced OEM factory paint techniques, paint care and inspection. For years, paint professionals from companies such as DuPont have used this book for training. Now fully revised and updated, this bestselling HPBook now has the latest information available from the paint industry.

• Sales Rank: #790166 in Books
• Brand: HP Books
• Published on: 1998-08-01
• Released on: 1998-08-01
• Original language: English
• Number of items: 1
• Dimensions: 10.84" h x .39" w x 8.52" l, .95 pounds
• Binding: Paperback
• 192 pages

Features

• Author: John Pfanstiehl
• Pages: 176
• HP1291

About the Author
John Pfanstiehl owns and operates Pro Motorcar, a manufacturer of professional paint and body tools. He is also the technical editor of Corvette Fever magazine, and the author of HPBooks' Corvette Weekend Projects.

Most helpful customer reviews

52 of 52 people found the following review helpful.
Great coverage
By A Customer
This is really a great book on "how to" do a paint job on your car. I liked Boyd Coddington's How to Paint Your Hod Rod a bit better, but it has less scope than this book. It covers a new paint job, but this book covers everything...paint types, repairs, resprays and even paint care. A great book.

36 of 36 people found the following review helpful.
Well, I have mixed feelings about this book.
By Nathaniel Horn
There is a lot of useful information between the covers of this book and it was a great help but I'm left with this vague sense of having missed something even though I read it cover to cover. There is substance but it's a little light on detail which the 170 pages would tend to bear out. While I gained a lot of clues, I still feel that I need to read another book in order to really know what I'm doing. Some how-to books are satisfying like a shotgun blast at close range... Their authors just lay out what you need to know and deliver it in a way that imparts confidence. This book is like being hit by a scattergun from 100 yards- you pick up a lot but don't really know exactly how much flew right on by. This guy kinda meanders all over the place seemingly without a coherent outline. I felt that the author really knows his stuff but left out a lot of necessary context that a beginner like myself needs to form a clear picture. And the typos, (hundreds!) missing sentences, and even missing paragraphs just about drove me nuts at one point. But they lessen towards the end of the book. Still, the price was right and it brought me to 5 on a scale of 10 so I can't really complain too much.
The publishing date of '98 dates it a little also. Seems like everything is going the way of computers and computer information where 6 mos. old is already obsolete. These poor authors are just going to have to realize that if they have the impulse to write a book then they are going to have to resign themselves to update them every two or three years or they will rapidly become useless! All knowledge and technology is just moving so danged fast these days.
So, I would buy it again but I ain't about to spend hundreds of bucks on paint and create a disaster until I find some better information.

42 of 43 people found the following review helpful.
Good book -excellent overview
By A Customer
This book is great for anyone looking to get started up painting cars, motorcycles, etc. I used this book and have saved a great deal on custom paint jobs restoring classic trucks and street rods. Well worth the money!

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Automotive Paint Handbook: Paint Technology for Auto Enthusiasts and Body Shop Professionals, by John Pfanstiehl PDF
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[U850.Ebook] Download PDF Cabin Pressure: A-Z: The BBC Radio 4 Airline Sitcom, by John Finnemore

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Cabin Pressure: A-Z: The BBC Radio 4 Airline Sitcom, by John Finnemore

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Every episode of the hit BBC Radio 4 airline sitcom is collected together in this special box set, including the Christmas special final episode and several bonus features. Cabin Pressure is set in the wing and a prayer world of a tiny, one-plane charter airline, staffed by two pilots—one on his way down, and one who was never up to start with. Whether flying a cat to Abu Dhabi, dealing with a nervous bassoonist, hunting for a cleverly-hidden lemon, or attempting to celebrate Christmas in seven minutes, no job is too small, but many, many jobs are too difficult. Carolyn Knapp-Shappey, MJN Air's formidable boss, has employed two of the very cheapest pilots money can buy: Captain Martin Crieff, who's always wanted to fly and won't let a little thing like lack of ability stop him, and First Officer Douglas Richardson, smooth-voiced old sky-god and eternal schemer. Passenger service is provided by the relentlessly cheery Arthur. Written by John Finnemore, Cabin Pressure stars Stephanie Cole as Carolyn, Benedict Cumberbatch as Martin, Roger Allam as Douglas, and John Finnemore as Arthur.

• Sales Rank: #169845 in Books
• Published on: 2015-02-05
• Formats: Audiobook, CD, Unabridged
• Original language: English
• Number of items: 14
• Dimensions: 5.50" h x 1.50" w x 5.50" l, .84 pounds
• Binding: Audio CD
• 1 pages

Review
"Cabin Pressure is one of the best written, cast, acted and directed comedies on anywhere." —Daily Telegraph

About the Author
John Finnemore is a British comedy writer and actor, best known for his radio sitcom Cabin Pressure and his radio sketch show John Finnemore's Souvenir Programme, as well as for frequent appearances on other BBC Radio 4 comedy shows such as The Now Show.

Most helpful customer reviews

0 of 0 people found the following review helpful.
it's my favorite. The characters are well developed and interesting
By Sam
EVERYONE should listen to Cabin Pressure, it's my favorite.

The characters are well developed and interesting, and each show's plot is different but there are overarching themes as well.

I have listened to the whole series (27 episodes) probably a dozen times over the last 2.5 years and it still makes me laugh out loud.

1 of 1 people found the following review helpful.
Five Stars
By Mary Brodd
It may not be safe to drive while listening to this, that's how much you'll be laughing.

0 of 0 people found the following review helpful.
Five Stars
By BellaMaurita
Truly funny, again and again!!! Listening just makes people happy.

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[K418.Ebook] Download Additive Manufacturing: Innovations, Advances, and ApplicationsFrom CRC Press

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Get Ready for the Future of Additive Manufacturing

Additive Manufacturing: Innovations, Advances, and Applications explores the emerging field of additive manufacturing (AM)―the use of 3D printing to make prototype parts on demand. Often referred to as the third industrial revolution, AM offers many advantages over traditional manufacturing. This process enables users to quickly build three-dimensional objects from the bottom-up, adding material one cross-sectional layer at a time directly from a computer model. This book provides a clear overview of specific technologies related to AM. It covers existing and emerging techniques in AM in use for a wide spectrum of manufacturing applications, and highlights the advantages of each technique with specific references to technological applications.

Introduces Valuable Processes for Making Prototype Parts among Manufacturers of Many Types

The book outlines many of the processes developed using various materials ranging from metals to plastics, and composites to human tissue. It presents recent innovations and potential viable applications that include: near-net shape capabilities, superior design, geometric flexibility, innovations in fabrication using multiple materials, and reduced tooling and fixturing. It also introduces several illustrations and case studies that focus on the present and far-reaching applications, developments, and future prospects of AM technologies.

Written by renowned experts in their fields, this book:

• Covers the reactive inkjet printing of nylon materials relevant to AM
• Discusses the AM of metals using the techniques of free space deposition and selective laser melting
• Provides a comparison between AM materials and human tissues
• Addresses the use of AM for medical devices and drug and cell delivery
• Focuses on the relevance of AM to rare earth magnets and more

Additive Manufacturing: Innovations, Advances, and Applications emphasizes the use of AM commensurate with advances in technical applications, and provides a solid background on the fundamentals and principles of this rapidly developing field.

• Sales Rank: #2532269 in Books
• Published on: 2015-09-25
• Original language: English
• Number of items: 1
• Dimensions: 10.50" h x 7.25" w x 1.00" l, 2.20 pounds
• Binding: Hardcover
• 460 pages

Review

"The book looks fine covering the basics of the additive manufacturing field. The chapters are well written and explain the material well."
―Charles Cartin, Virginia Commonwealth University, Richmond, USA

About the Author

T.S. Srivatsan, Professor of Materials Science & Engineering in the Department of Mechanical Engineering at The University of Akron (OH, USA), earned his M.S. in Aerospace Engineering in 1981 and his Ph.D in Mechanical Engineering in 1984 from Georgia Institute of Technology (USA). Dr. Srivatsan joined the Department of Mechanical Engineering faculty at The University of Akron in 1987. He has authored or edited 57 books, delivered over 200 technical presentations, and authored or co-authored more than 700 archival publications in journals, book chapters, book reviews, proceedings of conferences, and technical reports. He is a Fellow of (i) American Society for Materials International; (ii) American Society of Mechanical Engineers, and (iii) American Association for Advancement of Science.

T.S. Sudarshan earned his B.Tech in Metallurgy from the Indian Institute of Technology (Madras), and completed his M.Sc and Ph.D in Materials Engineering Science from Virginia Tech (VA, USA). He is President and CEO of Materials Modification, Inc., which is at the forefront of research, development, and commercialization of advanced materials utilizing novel processing techniques. He is a Fellow of (i) American Society for Materials International; (ii) International Federation for Heat Treatment and Surface Engineering; and (iii) Institute of Materials, Minerals and Mining. He has also produced numerous papers [175+] in journals and edited books [30+].

Most helpful customer reviews

0 of 1 people found the following review helpful.
The material future is here!
By the ALIEN
For making small to medium sized stuff 3D printers really are "IN YOUR FACE"

0 of 3 people found the following review helpful.
3D printing at its best!
By James L Tomich
Best Book Ever!

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[Z224.Ebook] Get Free Ebook Ella's Big Chance: A Jazz-Age Cinderella (Kate Greenaway Medal), by Shirley Hughes

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The classic story of Cinderella gains even more charm in this glamorous retelling by world-famous picture book writer and illustrator Shirley Hughes.
Ella Cinders loves helping her father in his dress shop and laughing with her friend Buttons, the store's delivery boy. Then comes the terrible day when her father remarries and everything changes. Her stepmother makes her sew in the dreary basement. Her stepsisters mock her shabby dress. And to top it off, the new Mrs. Cinders forbids Ella to attend the duke's grand ball. Heartbroken, Ella is sure that her life will never be what she dreamed. But with the help of a fairy godmother and some sparkling courage of her own, this Cinderella discovers that dreams can come true in the most unexpected of ways.
Join Ella amidst the dazzle and fashion of the roaring twenties as she takes happily ever after into her own hands!

• Sales Rank: #623600 in Books
• Brand: Brand: Simon n Schuster Books for Young Readers
• Published on: 2004-10-01
• Released on: 2004-10-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 11.25" h x .39" w x 9.25" l, 1.06 pounds
• Binding: Hardcover
• 48 pages

Features

• Used Book in Good Condition

From School Library Journal
Starred Review. Grade 1-4–Is there room for one more "Cinderella" variant in your collection? The answer is yes if it's this charming version set in the 1920s. Ella Cinders, her father, and Buttons the doorman/delivery boy run a dress shop until the terrible day when Mr. Cinders remarries and his nasty new wife moves in with her equally nasty daughters, Ruby and Pearl. "His new wife seemed to pop up from nowhere like a sharp-eyed, expensively dressed jack-in-the box." Ella's life is misery from then on, mitigated only by the care and attention of the faithful Buttons. Her Fairy Godmother sends her off to the ball where the Duke of Arc is smitten with her, but in the end Ella chooses a different happily ever after, with Buttons. Hughes's gouache-and-pen-line illustrations exhibit her usual meticulous attention to detail, with the ball scenes inspired by Fred Astaire/Ginger Rogers movies, and the original dress designs by important French couturiers of the period. This insightful retelling also offers a fascinating visual peek at a glamorous time.–Grace Oliff, Ann Blanche Smith School, Hillsdale, NJ
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
K-Gr. 3. It's the 1920s, and Ella Cinders works with her father in his dress shop, along with their young doorman, Buttons. After Mr. Cinders remarries, his new wife puts him under her thumb. Ella is soon exhausted from working at her sewing machine, while her stepsisters are modeling the gowns Ella has designed. The story follows a traditional course until the very end. When the suave socialite duke puts the slipper on Ella's foot, she dismisses him and turns to Buttons, who has been her solace through her ordeal. Together they will go off and start a shop of their own, a more preferable life than being "dressed like an expensive doll." A stylish enough work, this is a bit of an indulgence for Hughes, and the high-fashion setting and the flapper costumes don't add much to the tale for a young audience. The new ending will get their attention, however, and this self-empowered Cinderella makes for an interesting change of pace. Ilene Cooper
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

23 of 23 people found the following review helpful.
A Book Right Out of the Golden Age of Movies-Sensational!
By M. Allen Greenbaum
Knowing that this Cinderella-themed book won the "Kate Greenaway Medal for Children's Illustration," I decided to look at the illustration before reading the text. I was looking for authenticity and creativity in the pictures, as well as a hint of the story to come. I'm also a fan of jazz, and although the music isn't synonymous with the "age," I was curious to see whether author/illustrator Shirley Hughes incorporated any musical elements.

It didn't take long to discover the sweep and style of the 1920's, for Hughes' 2-page opening title shows a glossy ballroom floor, inhabited by a small jazz band, self-assured men in tuxedoes and tails, fashionable women in full length gowns (plunging either in front or back), and a white-coated "manservant" offering martinis. (Zelda, we have arrived!) As the story begins, pictures show the middle and under classes, and the scornful looks of the social "betters." The latter are dressed in chiffon, feathers, fancy hats, and jewelry, and a man sports a pinstripe suit with a rose boutonnière and impeccable black and white spats. You can sense the texture of their clothes, just as you can feel the conflicting attitudes of the haves and have-nots. I cheated and looked at the endpaper: The rich colors come from gouache, accented and shaded with pen. In addition (and, as noted by another reviewer), Hughes' original dress designs were inspired by 1920's French couture; her ballroom scenes by the décor and set designs of the glorious RKO-produced Astaire/Rogers musicals. The book's remaining pictures convey emotion (especially in cinematic-like close-ups), dramatic lighting, subtle and grand action, and swirls of gorgeous, opulent color. Hughes captures the look of money and the face of disenfranchisement with equal magnificence.

OK, so I'm completely sold on the pictures. What about the story? As you may have gathered, the Cinderella here is "Ella Cinder," a comely woman who's an expert helper in her father's dress shop. When she can, she laughs with almost- boyfriend "Buttons." As for the scornful women mentioned above, they're her dad's new wife (Cinder's stepmother) and her daughters (the stepsisters!). The stepmother takes over running the shop, the stepsisters model, lounge about, and call Cinder names, and Cinder herself has to work harder than ever. Mr. Cinders is a broken man in this power play, and he can do nothing to help his daughter.

Buttons, however, scrappy American that he is, "stays on the job for [Cinder's] sake." "Privately he called the [stepsisters] a couple of puffed-up, made-up, stuck-up, brainless parakeets." He also plays his guitar" in Ella's ratty basement room, and sometimes, "they even danced together...moving softly in and out among the bales of cotton." This is pure literary magic, Hughes' words and pictures mesh like a slow dance; they're consistently evocative and note-perfect.

I'll now cut to the chase of this modernized (to a point) fairy tale: An elite ball is planned, and the stepsisters scoff at the neglected Cinder. Very soon, however, an efficient yellow-hatted woman with a purple umbrella (her wand, it turns out) does her magic, and Ella turns into the Queen of the Jazz Age, the Belle of the Ball, and the Delight of the Duke who dances with her. Hughes wisely keeps the stroke of twelve and missing slipper motifs, but like any good 1920's film, Ella turns down the rich duke for her true love, Buttons, who can promise only his winning and constant love, a dream of owning their own shop, and his famous bacon and eggs. This book from 2003 is a complete delight, excelling in every conceivable way, and it's hard to imagine any child (or adult) not enjoying and treasuring it immensely.

Note: The book is so cinematic in illustration, plot, and dialogue, that I'm already having fun casting a hypothetical "movie": Perhaps director Frank Capra (or George Cukor) would insist on a dulled-down Carole Lombard as "Cinder"; Stewart , Cagney, or a relatively new, "nice guy" actor as "Buttons," and S.Z. "Cuddles" Sakall or Lionel Barrymore as the beleaguered father. Joan Crawford and Rosalind Russell would reprise their cat-fighting roles from "The Women," with Katherine Hepburn (cast against type) or Bette Davis as the (wicked) stepmother, and Franchot Tone or Leslie Howard as romantically tragic Duke. Indulge yourself as I did, and buy this book for a child, and, especially, for yourself.

7 of 7 people found the following review helpful.
Entertaining & Clever Re-write of Cinderella
By Kotori
There are a lot of things to like about this book.
It is set in the 1920's and Ella is a garment maker, in her fathers elegant little dress shop. When her father remarries she gets a horrible new step-mom and two step sisters, suitably nasty.
"His new wife seemed
to pop up from nowhere like
a sharp-eyed, expensively
dressed jack-in-the-box"
Ella has a dear friend named Buttons, who makes life easier for her by keeping her company as she stays up late sewing, making her laugh and singing her songs.

The funny thing about Buttons to me is he looks like he MUST be an Aussie, and uses words like "brainless parakeets" which seems to prove the authors intention. He looks like a young mel gibson, fresh from the set of Gallipoli, and it's quite amusing. One of the wonderful things the author has done is make this book so quirky.

Ella doesn't have a perfect sylph-like figure merely hidden by soot, instead she's redheaded, with corky curls and a plump little body, which when tucked into a more suitable gown, looks just fine.

It's her personality which wins the Duke over and brings him around begging for her hand. And dear Ella takes a good look around her and realises that it's Buttons she really want's, and they take off, and set up their own dress shop.

The illustrations are fantastic, and as written in the back of the book, the ball scenes were inspired by the dance sequences in the R.K.O. Fred Astaire/Ginger Rogers movies.
The dresses are Shirley Hughes original designs, inspired by the French couturiers of the 1920's, Doucet, Poiret and Patou.

Just love it.
Ages 8+ would most appreciate this book, although certainly any age will happily sit through it.

For you it makes an entertaing bedtime story.
For them, the same, and a little twist to the regular fairytale.
Kotori Nov 2004

4 of 4 people found the following review helpful.
"You Never Did Try My Bacon and Eggs, did you?"
By R. M. Fisher
There are several authors and illustrators of children's picture books that should be essential reading experiences for every child, created by artists that meld whimsy, humour, poignancy, wisdom and humanity with such grace that you just know that the memory of that book will stay with them for the rest of their lives. Shirley Hughes is one of these authors/illustrators, best known for her `Alfie and Annie Rose' books, but also of several other stories that capture all the above traits. "Ella's Big Chance" is one such book, taking the traditional tale of Cinderella and changing it in several vivid, exciting ways. It is old and refreshingly new at the same time.

Mr Cinders and his daughter Ella run a dress shop, along with their delivery boy Buttons (who almost always appears as the narrator in any production of a pantomime Cinderella). They are a happy family, but all that changes when Mr Cinders marries Madame Renee, who has two daughters of her own: Ruby and Pearl. Ella's new stepfamily takes over her existence, reducing her to a servant in her own home. Her only ally is Buttons with whom she has a warm and kind friendship.

Then the news arrives that the handsome Duke of Arc is having a ball. You all know what happens next: Ella is denied an invitation, a fairy godmother transforms her rags, and Ella makes her magnificent debut. The clock strikes twelve, Ella flees and the Duke begins his search for her, using the glass slipper she left behind as his guide.

One might at this stage think that this is simply another rehash of the Cinderella tale; if you've read one, you've read them all. But Shirley Hughes' version differs in several key ways. First is the setting; Parisian France in the 1920's, where the streets are quaint and sunlit, a silver limousine takes the place of the pumpkin carriage, the dancing mirrors that of Ginger Rodgers and Fred Astaire, and the costumes are the quintessential gowns of Doucet, Poiret and Patou. It is a visual feast for the eyes, romantic and glamorous.

Second is Ella's physique. Whereas her stepsisters are slender and lovely (not *ugly* stepsisters at all), Ella herself is a little on the voluptuous side - and she looks fantastic. It's a great step up from the stick-figures that frequent children's fairytales, especially those targeted toward girls.

Lastly are several story elements; such as the fact that Ella's father does not pass away but remains a hen-pecked husband who is powerless to rescue his daughter. Then there is Hughes' delightful interpretation of the fairy godmother, as an umbrella-wielding granny with a secret plan for Ella. Most important of all is the twist regarding Buttons - I won't give it away (though you've probably already guessed what it is now that I've mentioned it). I'll say no more except that it's great.

So that's Shirley Hughes's Cinderella retelling, a fantastic reading experience that everyone (especially your daughters) will love, with several subtle but truthful messages on *real* beauty, *real* kindness and *real* happiness.

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• Sales Rank: #603576 in Books
• Published on: 1994
• Binding: Hardcover

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