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The Shadow of What Was Lost (The Licanius Trilogy), by James Islington
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"Love The Wheel of Time? This is about to become your new favorite series." - B&N SF & Fantasy Blog
"Storytelling assurance rare for a debut . . . Fans of Robert Jordan and Brandon Sanderson will find much to admire." - Guardian
"Islington has built a world with all the right genre elements: complex magic, terrifying threats out of legend, political intrigue, and a large cast of characters whose motivations are seldom clear. Fans of doorstop epic fantasy will not be disappointed." - Publishers Weekly
"Ingeniously plotted...Islington's natural storytelling ability provides incessant plot twists and maintains a relentless pace...A promising page-turner from a poised newcomer." - Kirkus
"Wonderful worldbuilding and terrific characters." - Boing Boing
"Will appeal to anybody looking for a coming-of-age fantasy tale with likeable characters and strong world building." - Fantasy Faction
As destiny calls, a journey begins.
It has been twenty years since the god-like Augurs were overthrown and killed. Now, those who once served them - the Gifted - are spared only because they have accepted the rebellion's Four Tenets, vastly limiting their powers.
As a Gifted, Davian suffers the consequences of a war lost before he was even born. He and others like him are despised. But when Davian discovers he wields the forbidden power of the Augurs, he sets into motion a chain of events that will change everything.
To the west, a young man whose fate is intertwined with Davian's wakes up in the forest, covered in blood and with no memory of who he is...
And in the far north, an ancient enemy long thought defeated begins to stir.
The Licanius TrilogyThe Shadow of What Was LostAn Echo of Things to Come
- Sales Rank: #10207 in Books
- Published on: 2016-11-08
- Released on: 2016-11-08
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 2.00" w x 6.35" l, .0 pounds
- Binding: Hardcover
- 704 pages
Review
"Ingeniously plotted...Islington's natural storytelling ability provides incessant plot twists and maintains a relentless pace...A promising page-turner from a poised newcomer."―Kirkus on The Shadow of What as Lost
"Islington has built a world with all the right genre elements: complex magic, terrifying threats out of legend, political intrigue, and a large cast of characters whose motivations are seldom clear. Fans of doorstop epic fantasy will not be disappointed."―Publishers Weekly on The Shadow of What Was Lost
"Love The Wheel of Time? This is about to become your new favorite series."―B&N SF & Fantasy Blog on The Shadow of What Was Lost
"Storytelling assurance rare for a debut . . . Fans of Robert Jordan and Brandon Sanderson will find much to admire."―Guardian on The Shadow of What Was Lost
"Will appeal to anybody looking for a coming-of-age fantasy tale with likeable characters and strong world building."―Fantasy Faction on The Shadow of What Was Lost
About the Author
James Islington was born and raised in southern Victoria, Australia. An avid fantasy reader for many years, it was only when he read Brandon Sanderson's Mistborn series that he was finally inspired to write something of his own. He now lives with his wife and daughter on the Mornington Peninsula in Victoria.
Most helpful customer reviews
15 of 16 people found the following review helpful.
which wouldn't be so bad until the most ridiculous deus ex machina inexplicably ends ...
By mat
Original and imaginative, this story has a rich world of gibberish proper nouns. Every land, character, reference, and idea has a convoluted proper noun despite how little it may have to do with the story. The characters were interesting to follow, but the story is excruciatingly slow to develop because of the intricate exposition required to make sense of this world. He spends half the book explaining one type of magic, then trumps it by suddenly throwing in another type of magic, which wouldn't be so bad until the most ridiculous deus ex machina inexplicably ends the book without any hint of how or why.
I know this is part of a trilogy. The explanation is probably in the next books, but the sudden mystical ending undid any importance to the rest of the book. The characters he'd spent so long to build had nothing to do with the catharsis and hence undid any sense of urgency or heroism. I won't be reading the next two books to find out why the first book didn't bother explaining it's unsatisfying resolution.
It was unique and kept me interested, but I won't be recommending this book. 5/7
12 of 12 people found the following review helpful.
I think this is the author I've been waiting for
By M.
You know what I remarked - out loud to the cat, if we're insisting on complete transparency - when I was about 1/5 of the way through this book? "Holy [cow], this is an honest-to-god epic! Not one of those "epics" that are only called that because the author doesn't know how to write a book without throwing everything but the kitchen sink into the plot, but a real one! Parallel story lines that tie together in the end! New interesting magic in a new interesting world! This is AMBITIOUS!"
(For anyone who's wondering, the cat made a strange little growly noise and left the room. I'm fairly sure that his reaction was unrelated to the topic of conversation.)
I'm hesitant to say it - I do hate being wrong - but I think I just stumbled across another author with bestseller potential. From very early on, I thought - internally this time - this book kind of tastes like Sanderson. Later on, I picked up some Robert Jordan textures too. At one point, I headed over to the author's Goodreads profile and, lo and behold, there under his biggest influences are Sanderson and Jordan. And since I wasn't done with the book yet, I was a bit skeptical. I mean, those are some pretty big shoes to fill, and though I'm sure lots of people try, lots of people just end up sounding like they're trying to sound like Sanderson and Jordan (or whoever) rather than finding their own voice. I was liking the story so far, and I found myself hoping that Islington wouldn't be influenced by these other authors so much that the story suffered. I mean, ambitious is good, but TOO ambitious is just going to fail.
I needn't have worried. This story is a great one, and it's great not because it sounds a bit like a Sanderson fantasy, it's great because James Islington has some real chops.
I wouldn't call it perfect. Perhaps the most frustrating thing about this is the amount of world building. Understand, there are no info dumps, and there's enough world building that, for the most part, we're able to follow along without being totally confused, and we can trust that our questions about what X means will be answered eventually. However, I spent a fair amount of time in the first half of the book wishing I understood the background a bit more than I did. How the magic works. How society is structured. What the history was. Where all these countries are. (Perhaps part of the problem stems from the naming conventions, which were foreign enough that all the weird words were running together without getting saved in my brain with an identification.) The amount of exposition included was a very valid artistic decision, and it could very well have been a better choice than the alternative, but...maybe just a bit more balance would have been nice.
If well-used plots bother you, you may not care for this. The story itself is the epic fantasy standard: world on the brink of disaster, ancient evil escaping its prison, nobody believes me, etc. Some of the specifics were pretty familiar too. They're being chased, their only chance is an ancient abandoned city with an evil of its own because the bad guys won't follow...now, where have I heard that before? I personally don't mind revisiting a trope if it's done well, but some people really do. In any case, I think that even though I was reminded of other works at various points in the story, the book is fresh enough and well-written enough that just about everyone will be happy with how it all turned out.
Oh, what else? The book is meaty enough to support its sweeping scope. The characters were above average, I think; nuanced and likeable, realistic, with their own unique voices, though none of them particularly blew me away. The dialogue was well-written. The editing was good. Not quite perfect, but still good (and better than most!). The magic was involved and interesting without being overpowered. Islington avoided the 100% good vs. 100% evil thing; the book was full of gray areas. And there were a handful of surprises.
I have a feeling James Islington is going to have a spot on my shelves alongside the other epic authors of this generation - Brandon Sanderson, Pat Rothfuss, Brent Weeks... If you're a fan of epic fantasy, I strongly suggest this book. So many fantasies try to be epic, think they're epic, but so few actually pull it off. This one does.
5 of 5 people found the following review helpful.
Pleasantly Surprised
By Scott A Norris
This book was definitely a surprise. It just kept showing up on my Amazon.com feed as a book I would like, and with all the good reviews I decided to give it a chance. I'm very glad I did.
This book is epic, great impending darkness to unite a broken world to fight. The characters were great. I can't say I LOVED any of them, but I really liked almost all of them. They were complex and interesting. Plus, I'm not a super huge fan of the trend in modern fantasy which is to have characters that are not good or bad. I like books that have really deep, honorable good guys, and interesting, evil bad guys. This book did that...and more (can't say without spoilers)!
The world and the magic were intriguing and complex. Granted it was nothing really new, but that doesn't mean that it was not good. It was really good, just nothing I was not familiar with as a reader of fantasy. The complexity of it lies in the scope of the world. There is so much history, so many characters, and they traverse such a large landscape, it is difficult to keep it all straight. The author has posted a character reference and a map on his website, and that was extremely helpful...as well as my X-ray feature on my Kindle (I had to use this alot..."who was that guy again - XRay")
One of the most standout features of this book to me was that it was clean...really clean. No sex, no vulgarity. There was definitely some violence, and even a fairly gruesome scene or two, but if you've read Hunger Games, you've read stuff much more gruesome and disturbing than anything in this book, violence wise. I'm so grateful for an author who once again shows that you can write a really good book and it does not have to be full of boundary pushing vulgarity! I was able to come away from reading the book with a sense of "Wow, I really liked this...and I didn't have to get dirty to enjoy it!"
And a final bonus...the book is like $4 on Amazon! Go get it and enjoy. I think I'll start it again soon to pick up some things I'm sure I missed :)
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