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A History of the Photographic Lens, by Rudolf Kingslake
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The lens is generally the most expensive and least understood part of any camera. In this book, Rudolf Kingslake traces the historical development of the various types of lenses from Daguerre's invention of photography in 1839 through lenses commonly used today.
From an early lens still being manufactured for use in low-cost cameras to designs made possible through such innovations as lens coating, rare-earth glasses, and computer aided lens design and testing, the author details each major advance in design and fabrication. The book explains how and why each new lens type was developed, and why most of them have since been abandoned. This authoritative history of lens technology also includes brief biographies of several outstanding lens designers and manufacturers of the past.
- Sales Rank: #768981 in Books
- Published on: 1989-11-11
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .81" w x 5.98" l, 1.50 pounds
- Binding: Hardcover
- 334 pages
Review
"This book is well illustrated, clearly written and a most useful source of knowledge about lenses. It will interest historians of photography, camera collectors and amateur photographers. For any first-time would-be buyer of a good camera, it will prove an invaluable aid."
--NEW SCIENTIST
"[Kingslake has written] an instructive and entertaining account of the development of lenses from the earliest simple double convex lens to the meniscus, to doublets and triplets, achromats and apochromats and even aspherics, and including the most elaborate telephoto and zoom lenses used today."
--John N. Howard, OPTICS NEWS
"Kingslake has done an outstanding job of writing a readable book....
Rudy Kingslake is today's first name in optics. His new book belongs in every camera collector's library."
--SHUTTERBUG MAGAZINE
"Rudolph Kingslake is eminently qualified to write this book...It is...a rich source of references to books, papers, and most importantly patents, where much of lens design knowledge is archived."
--JOURNAL OF MODERN OPTICS
Most helpful customer reviews
25 of 25 people found the following review helpful.
Five star book, 3 star reproduction quality
By R. H. Berg
This classic book on the large format photography lens is a must for serious enthusiasts. I have used my local library's copy so much that I decided to buy the book. Boy, was I let down when it came from Amazon.com. It turns out that this is a poor quality reproduction, the original plates having been lost by Academic Press. The text and line drawings are OK, but the halftones stink, and I am disappointed that I paid $51 dollars for this book. It should be described on the Amazon web page as a reproduction-grade book and should be priced at $24.95.
6 of 6 people found the following review helpful.
Great resource for someone entering medium- or large-format
By John H. Henderson
If you've moved from 35mm photography to medium format, you are no
longer confronted with lenses called "Minolta 28-70mm/2.8
G," but rather Tessars, Planars, and Super-Angulons. In medium
format, you're still limited to using lenses provided by the
manufacturer of your camera, but if you move to large format, where
almost any lens can be used on any camera, things become really
convoluted. In short, lens manufacturers give names to their designs
in much the same way that car manufacturers give names to their
products.
Kingslake provides a history that will help the
photographer unravel the advantages of different lens designs as well
as serve as an excellent resource to the classic lens collector.
Diagrams are provided for most significant lens designs up to the
1980's. There are chapters on optical glass and lens attachments. Be
warned that about a third of the 300+ pages are biographical sketches,
with portraits, of important figures in the development of the
photographic lens. This may be of value to some, but less to others.
There is also a very useful, separate, index of lens names, and a
glossary of many of the technical terms used. (Although the index
seemed to leave out some names, such as Protar, which ARE discussed in
the book!).
I didn't find the quality of this printing
objectionable, as did another reviewer. In fact, most of the figures
are line drawings, and aren't really subject to bad
reproduction.
Now for the inevitable complaints.
Kingslake assumes
that the reader has some knowledge of lens design, or at least of
common aberrations. I may get his Fundamentals of Lens Design soon,
but would hate to have to read it as a prerequisite to reading
History. A short chapter on aberrations and lens design would be of
great advantage. The glossary explains some of the terms, but could
use figures to great benefit. The author could use a note indicating
that the subject is to the left and image to the right in the diagrams
(perhaps a convention for opticians, but less likely to be known to
many readers of this book). Likewise, the chapter on optical glass
would be more useful if introduced before discussing the lens designs.
Perhaps cross-hatching on the diagrams or some scheme could be used to
indicate glass densities. Lastly, some lenses designed since the book
was published may now be considered classics, and a reprint with more
lenses would be nice (where is the Tele-Xenar? How about the
Tri-Elmar?)
Even with the minor complaints, I found this book very
informative and useful. It will remain next to my computer for
contributing to lens discussion on newsgroups and for looking up those
classic lenses that appear on auction sites.
8 of 10 people found the following review helpful.
Kingslake's "History": an essential guide to lens history
By A Customer
Rudolf Kingslake's "History of the Photographic Lens" is not only one of the most informed histories of lens design, but also serves to remind photographers, amateur and professional alike, of the value of older lens designs, largely abandoned in this "modern" computer age. Not only will everyone whose interest in photography far outreaches their credit line or bank account enjoy this retired lens expert's chronicle, the book will also serve to recommend some of the very same optics, still available today, for those wiling to experiment with the vast range of used photographic lenses on the market. The value of my own images relies, in part, on the knowledge that certain designs, such as the Dagor or the Protar can still be used to advantage in larger formats where the need to enlarge is minimal or nonexistent. While some reviewers would like to se the more information on later developments in photographic lenses fom the second half of the century on, I am glad that this text is still in print and hope it shall remain so. rk.
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